Old Mars Page 6

  The leviathan would trundle up into the town, deploy its hydraulic grapples, and begin stuffing the bone city, piece by piece, into its mechanical maw. It would grind up the town, house by house, separating metal and stone from the ossiferous material that the Martians had built the place from. The valueless stone would be spat out, the metal compacted and excreted like cubic droppings.

  The metal was valuable, but it was the bone that really mattered. It would be pulverized, sacked, and stacked on a detachable trailer that rolled along behind the behemoth. As a trailer was filled, it would be detached and another put in its place. Then the loaded trailer would be hooked to a tractor, and the eight-wheeler would head off across the dry sea until it met the Martian road-and-canal network. Then it would go to one of the newly built Earthman towns that were surrounded by farms whose soil, even after lying fallow for thousands of years, was not all it might be.

  The ground bones of Martian cities would fertilize the crops that would feed the tens of thousands of Earthmen arriving each month as the silver-rocket armada continued to cross the black gulf between the worlds.

  Mather was one of the most recent arrivals. He had been unable to secure funding to come to Mars as an archaeologist. The new old world needed brawny pioneers, not pointy-headed academics, he was told. Archaeologists objected to the destruction of the ancient Martian cities, so the company was being careful not to let any of them anywhere near them.

  So Mather had concocted a résumé that should not have withstood even the most cursory scrutiny, but New Ares Mining Corporation had lucrative contracts to fulfill and was desperate for men to mine the bone cities. Mather was on the next rocket out.

  The trip was long and the quarters close. The men he would be working with soon deduced that Fred Mather had not come, as they had, from the coal mines of Kentucky or the oil leases of west Texas. His hands were too soft and his neck not rough enough. The crew chief, Red Bowman, a veteran of the Alaska gold fields, marked him down as a city-boy tenderfoot on a job that had no slack to cut for greenhorns.

  Mather worked quickly, quartering the town on foot, placing the transponders according to a rough map made from an aerial photograph snapped by a New Ares rocket. Two hours after he began, he threw the switch on the last device, then walked back to where he had left the jeep.

  He lifted the hood, removed the cover of the carburetor, and dropped a pinch of Martian grit into its barrel. Then he radioed base to say that the vehicle wasn’t running right—he suspected dirt in the carburetor or fuel line—so he would stay the night in the town and repair the faulty part in the morning.

  “I wouldn’t want to risk overturning the jeep coming home in the dark,” he said. “Those roads can ice up pretty bad, I hear.”

  Bowman was on his supper break. The radioman said, “Roger that. Talk to you tomorrow. Base out.”

  In the dwindling sunlight, Mather dug under the jeep’s front seat for the scuffed satchel that contained his field notebook. He equipped himself with a heavy-duty flashlight.

  “Okay,” he said to himself, “let’s see what we can accomplish.”

  It was no good saying to the directors and shareholders of New Ares Mining Corporation that the bone cities of Mars were a priceless asset. New Ares accountants and engineers had already worked out the figures: The cities were only priceless in that they were free for the taking; the profits from mining them, however, would start in the tens of millions and climb sharply into the hundreds. It was conceivable that, if Mars filled up and more of the bone-built dead towns were found, New Ares’ earnings could eventually total a billion.

  “Imagine,” one of Mather’s workmates had said on the trip out, as they swung side by side in their hammocks in the passenger hold. “A billion dollars. And we’re gonna be part of that.”

  “Yeah,” Mather had said. “Imagine.”

  The Martians had built their towns mostly out of stone and metal, crystal and glass. They had run water through channels in the floors—to cool the rooms and, Mather hypothesized, their slender feet—and grown fruit hydroponically from the walls.

  But in some parts of the planet, there had once been a fashion—perhaps it was a ritual requirement—for building in bone. Martian architects had designed houses walled and floored in thin sheets of ossiferous material that must have been peeled like veneer from the huge bones of gigantic sea creatures. Sometimes, the great ribs and femurs were used whole as structural members, trimmed and squared or rounded to the needed dimensions, often ornately carved into pillars and lintels. Still more of the stuff had been crushed into powder, then bound together with burnt lime to make a durable concrete for roads and doorsteps.

  Building in bone made for houses that were filled with a diffuse and airy light that threw no shadows. The material was also porous, so the rooms breathed even though the windows were narrow and sealed with bronze shutters. The walls also had the quality of absorbing rather than reflecting sound; Mather imagined that conversations in Martian rooms must have been muted, even the shouts and tumults of the aureus-eyed children softened and calmed.

  He chose houses at random, traversing hallways and peering into chambers. The places were empty, the inhabitants having packed up in no apparent hurry. Occasionally, he found items of abandoned furniture—more bone, a couple of metal frames, the less durable wooden parts long since turned to dust.

  In a corner of one upstairs room, he found a bone table on which rested a scatter of Martian books. He’d heard of these: sheets of thin silver inscribed in snakelike symbols of indelible blue ink. No one could read them, though it was said that someone had once done so and had become deranged. The subsequent murders had been hushed up.

  Mather leafed through the books but could derive nothing from them other than that they had been beautifully made. He gazed at a page for almost a minute, waiting to see if he would be drawn into the twisting patterns as he had been with the wall design, ready to drop the book if anything untoward occurred. But nothing did. Finally, he placed the artifacts in his satchel—a willful violation of his terms of employment—and went outside.

  The town sloped gradually from the landward end to the place where the sea had been, the finger of rock on which it was built also narrowing as it neared the vanished waves. At the very tip, the Martians had laid out a wide plaza, this one without a fountain. The pavement was fashioned from thousands of small tiles, their original bright colors now sun-faded to pale pastels, arranged in a border of stylized waves and sailing ships, blue against bronze, surrounding a great, sinuous sea creature with huge eyes and triangular flukes.

  A broad flight of bone-concrete steps led down from the open space to the former harbor, where two curved moles enclosed a sheltered basin with a seaward opening only wide enough for two of the slim, burnished craft to pass at once.

  The buildings that stood at the edge of the open space were grander than the houses he had entered so far. Their entrances were wide metal doors between carved pillars of bone. The surfaces of the doors were worked in raised snake-script in bas relief. Unlike the mouths of the houses, these were all closed.

  It was natural for an archaeologist to wonder when presented with the unexplained behavior of vanished folk. Did the Martians, on the day they abandoned their homes, observe a ritual that decreed their doors must forever lie open? Was there a converse requirement to seal the entrances of public buildings, as Mather assumed the wide-doored edifices to be?

  He did not know, would probably never know, but he would enjoy speculating in the professional journals when he returned at last to Earth, the only one of his kind to have done the fieldwork. And so it was with a frisson of anticipation that Fred Mather took hold of the handles of a pair of bronze doors and pulled.

  The portals opened easily and he stepped into a wide, well-lit space. The building contained one high-ceilinged room, domed above in thinnest bone so that a translucent illumination fell upon the ringed tiers of seats that descended from the doorway to make a flat-bo
ttomed bowl. In the middle of the amphitheater, rising from the floor, was a great cube of white stone, its top a little higher than the uppermost row of seats.

  On the side facing Mather as he stepped down from tier to tier, the surface of the block was incised with a complex design, inlaid with greened-over copper, like the wall in the first house he had entered. It drew his eyes so that his steps began to falter. He lowered himself to a seat midway down the bowl. This time he would study the effect. He pulled his eyes away and fetched out his notebook, unclipped a pen from its wire-spiral spine, and took a deep breath.

  Then he looked again at the cube. As before, he found that whichever part of the design he focused on, his gaze was pulled toward its center. Abruptly, the two-dimensional pattern took on depth, so that instead of staring at something, he was now peering into it.

  Unable to look away, he flung a forearm across his eyes, then used the limb to restrict his vision as he made quick notes on the effect. At one point, he looked up to see if he could sketch the pattern of green on white, but immediately the pulling-in effect resumed—this time even stronger—and he had to use his arm to blind himself again while he noted this new observation.

  From the satchel, the radio squawked. He paid it no heed, continued to write. Red Bowman’s voice came, harsh and incongruous in this Martian space, “Base to Mather, over.”

  The archaeologist ignored the summons, continued to make notes. He had a sense that he was about to discover something new and remarkable, to acquire some transformative knowledge to which he would say, at first, “That’s incredible!” followed almost immediately by, “But, of course!”

  Bowman’s voice intruded again on the moment. He reached inside the satchel to switch off the radio, but a momentary flash of cunning stayed his hand: If he didn’t answer, they might think he was hurt; if they thought he was hurt, they might come to help him; if they came, they would take him away from … from whatever was about to fill him with—

  “Base to Mather, are you all right?”

  He keyed the mike switch. “Mather to base. What’s up?”

  “What took you so long?”

  The lie came smoothly. “I was cleaning out the carburetor. Wanted to wipe my hands before I picked up the radio.”

  There was a silence. He could imagine the crew chief digesting the information, filtering it through his undisguised dislike of the greenhorn—an impersonal dislike that extended to all the Fred Mathers of the two worlds, with their soft palms, their long words and longer sentences. He probably suspected that people like him secretly hoarded books that should have been burned on the great bonfires Bowman would remember from his childhood, when the government had cleansed the people’s minds.

  At last, Bowman said, “We may have trouble getting the harvester down the ramp to the seabed tomorrow. It’s steeper than it looked. So it might not arrive on schedule.”

  “Okay,” said Mather. “Doesn’t bother me.”

  “But we’re all gonna be tied up with this. So if you can’t get the jeep running, nobody’s gonna come and get you.”

  “Okay.”

  “Or bring you any food or water.”

  Mather shrugged. “I’ve got sandwiches and a gallon or so. I’ll get by.”

  “You say so,” said Bowman. “I wouldn’t want to spend too long in one of those places. People have seen ghosts.”

  “Ghosts don’t bother me,” said Mather. “Over and out.”

  He turned off the radio and put it back in the satchel. Then he methodically finished his note-taking. All this time, he had been shielding his gaze from the figured cube. Now he took a settling breath and said, “Okay, here we go.”

  He lowered his arm. The pattern seemed to reach out for him. A small, involuntary gasp escaped him, then he nodded and said, “Ah.”

  It was the evening of the Touching of the Sea. He had invited neighbors to dine before they went down to the gathering above the harbor. His wife cooked meats in the house, then brought them on golden plates out into the inner courtyard, where they sat on bone chairs and drank the fruited wine from his own trees.

  The conversation was relaxed and mellow. The two couples were friends as well as each other’s next-door neighbors. They talked of people they knew; the husbands compared their expectations for the coming season’s hunt up in the hills; the wives discussed the plays they planned to see—mostly timeless revivals, though there was to be a new work by a playwright from across the sea who was developing a reputation for deliberately stimulating his audiences.

  When the meal was done and the last, formal toast drunk, they went down to the festival, through darkening streets lit by crystal torches and aflow with golden-eyed folk in their holiday clothes. No one wore a mask this night; it was not a time for circumspection.

  The plaza by the sea was thronged. All of the town was there, the oldest given places on the steps of the surrounding buildings, the youngest on the shoulders of their parents, so that all could witness the Touching. A coterie of musicians played the festival anthem and the crowd swayed, humming to the ancient song.

  As the last notes died, all of them turned toward the harbor. The boats that usually filled most of the circular basin had been rowed to the sides, tethered to bronze rings set in the stones of the moles or to each other, so that a wide channel lay open from the foot of the steps to the gap where the enclosing barriers did not meet.

  One musician struck a single, plangent tone from his harp. As one, the crowd craned forward. Now a sound somewhere between a sigh and a moan rose up from each throat. It mingled and became one common note, rising not in volume but in intensity. It filled the plaza like an invisible mist, then it flowed down the steps and across the harbor and out over the sea. And carried with it a single thought.

  Minutes piled upon minutes, became almost an hour, the sound continuously pouring from the crowd, the thought uniting them. Then, out beyond the harbor mouth, the waveless summer sea rippled, once, twice. A triangular-fluked tail rose and slapped the surface gently. A dark, gleaming back showed, then disappeared, only to come up once more in the channel between the boats.

  The monotonous song intensified. Golden eyes shone in the torchlight. A pressure wave rolled across the surface of the basin and wet the bottom steps. As the water ran back down, the sea parted. A broad-mouthed head broke the surface, its eyes as big as dinner plates, though these were not gold but resembled silver-rimmed onyx.

  The sea beast’s tail thrashed, driving its head and forefins clear of the water and up onto the harbor steps. The crowd’s moaning song grew stronger still, the carried thought more imperative. The tail went deep, scraping the floor of the basin, the sinuous body hunched and straightened, and, as water ran from its dark, striated skin back into the sea, the summoned creature forced itself higher up the stairs, until its head touched the plaza’s tiles.

  Silence fell. The women took the children to join the old people, while the men descended the steps to stand on either side of the sea beast. The sky above the town was black, the stars like chips of bone. The harpist plucked another string. In one motion, the men drew their curved knives, then waited for the final note.

  Fred Mather awoke to find himself in near-total darkness at the top of the steps above the dry harbor. The stars and the two small moons gave just enough light to show the bone town as a pale fog seen from the corners of his eyes, but when he looked straight ahead, he could see almost nothing. The sky was as black as it had been in the vision, but, near the horizon, he could see the small green orb that was Earth. He did not know how long he had been standing at the top of the steps, but it had been long enough for the wind off the dead seabed to chill him. Shivering, he rubbed the pebbled skin of his bare forearms.

  He had to make notes. He felt his way back to the amphitheater and to the seat where he had left the satchel. His notepad was not there, but the flashlight was. By its hard beam, he found the spiral-bound book outside. It lay on the tiled surface of the plaza, covering the
eye of the sea-creature mosaic. He went and retrieved it, found the pen a few feet away.

  But when he sat on a doorstep to write by the flashlight’s glow, the making of ink marks on paper struck him as faintly ridiculous. The straight and curved blue lines would not always resolve themselves into words; they kept turning into mere chicken-scratchings, as if his ability to read was waxing and waning.

  His mind kept going back to the vision of the festival: the death of the sea beast, the solemn taking of its flesh and the wrapping of the dripping pieces in squares of cloth the women had brought with them, the people walking home, leaving the creature’s bones to be cared for by those who had earned that honor.

  And something else. He did not know how he knew it, but he was aware that this Touching had been the last, that there were no more beasts left to call. He struggled to put that knowledge into words, then transpose the words into letters of blue ink scratched onto paper. But he kept losing the knack.

  Finally, he abandoned the effort and lit his way back into the amphitheater. Some instinct told him to sit in another part of the great room, facing another side of the cube. He stared into its matrix of incised lines and instantly felt himself falling into …

  They were four, all friends from boyhood, now grown to maturity. They had trained hard, challenging one another, encouraging one another, daring one another. And it had paid off: They had been victorious in the annual games and had thus won the honor of being the first hunting party into the blue hills above the bone town.

  They ran now in single file along a trail they had known as children, when they had played at what they now did in earnest. They knew every curve and fold of the land, the ridges, shoulders, and valleys, and they knew as well that there was a certain place where the birds sheltered through the day, emerging at dusk to light up the night sky with their scintillating streaks and fire-trails, sparks falling like red snow.